Music
- AIR
By Dana F. Toukan
Amy Winehouse
By Einstein
The Good, the Bad, and the Queen
By Nicholas Olds
More in this issue
Style |
Film |
Books |
Travel |
Cuisine |
Art & Design |
Fyi-94 |
Features
Christian Oliver: The Dual Citizen
By Udi Shamay
A Saline Mind
By Einstein
Derby della Ronaldo
By Alessandra Bacchetta
Hungry Memories for Bich Minh Nguyen
By Irene DeVette
Are You a Member of the…
By Steven Evanne Heinstein
Kicking Around LA
By Victoria Aitken
Scrambled Eggs
By Helena Forsell
Shangri La in Hawaii
By Sheila O’Connor
AIR
Pocket Symphony
Astralwerks
By Johan Froom

Fresh off their production gig with Charlotte Gainsbourg, the French duo Air continue their tradition of nouveau-chic melancholia with their latest release “Pocket Symphony.” Music to think to, music to make love to, Nicholas Godin and Jean-Benoit Dunckel dust the sonic canvas with soft arpeggiated pianos, bleepy percussion, strummy guitars, and whispering vocals complete with French accents, with the exception of guest vocalists Neil Hannon and Jarvis Cocker, the latter appearing alongside Ms. Gainsbourg in the slow moving creepiness of “The Duelist.” Japanese instruments sparingly grace the album, though the two stay close to the traditional sound they introduced ten years ago.
Though “Pocket Symphony” seems to be a little more “sleepy” than much of their previous work, the pop sensibilities are still evident as is their secret brand loud minimalism. From the dark melodies of Napalm Love to the stony percussive instrumental of Space Maker, Air have delivered another body of work sure to soundtrack a rainy dorm room day or maybe the sun peering through a hazy sky. Oui oui, a decade after the Moogified beauty of their debut Moon Safari, Air remain the purveyors of sun to rain symphonies.